Saab’s Griffin Caught Between a Rock and a Hard Place

Established publicly in 1949 with the launch of its first model, the Saab 92, Saab Automobile AB is a Swedish car manufacturer with a strong history of safe, sturdy, well-performing cars — unfortunately the same can’t be said for the stability and continuity of those cars’ parent company. Read on for the soap opera-ish story.
The Saab automotive brand was originally established by Saab AB — Saab standing for “Svenska Aeroplan AB”, “Swedish Aeroplane Limited” in English — an aerospace and defense company still active today (and using the Saab name and famous crowned griffin logo). Later the Saab car brand was merged with Scania, a truck manufacturer still active today (also using the griffin logo but at least not the Saab name anymore, just Scania). After that, GM purchased a 50% interest in the company, later buying the whole thing (luckily, GM did not use the griffin logo!). Far from the end, GM sold the Saab brand to Dutch manufacturer Spyker Cars in 2010 and Saab soon after filed for bankruptcy. The story ends, for now, with the purchase of “the main assets of Saab Automobile AB, Saab Automobile Powertrain AB and Saab Automobile Tools AB” and a licensing agreement “with Saab AB regarding the rights to use the Saab brand name for its future vehicles” by NEVS (National Electric Vehicle Sweden), an international consortium formed by Swedish and Chinese stakeholders. Here is the press release on that.
In summary: NEVS can now make Saab cars using the storied Saab factory and testing facility but it can not, legally, use the griffin logo, currently in use by Saab AB (the aerospace company) and Scania (the truck company) who did not grant the rights to it. Sucks for NEVS because the Saab griffin is one of the more recognizable automotive icons. However, it doesn’t suck so much because Saab has been using the wordmark by itself for quite some time, so it’s not that hard of a transition. The new cars will simply not have the griffin logo. But trucks and planes in other parts of the world will. So it will be kind of confusing for a while.
Yesterday, NEVS announced the “new” identity designed in collaboration with Stockholm Design Lab.
NEVS is now extending and further developing the Saab brand in passenger cars with a new visual identity. It is founded on the Scandinavian heritage, where the four distinctive seasons, long distances and extreme road conditions have shaped the Saab passenger cars. […] The four seasons and their respective characteristic road conditions will be visible both using images and together with the brand.
— Press Release

Logo as window in this specific case to show images of the four seasons.

Circle version to be used on applications like bonnet and wheel hub covers.
You might think, “This whole big post just for that?”. Yeah, well, branding isn’t always the most exciting thing and this is a very interesting case not because of the resulting identity but for its complicated ownership history and the equity of the Saab identity and how restrictive these issues can be when it comes to identity-building. The brand-spanking-new logo isn’t that new — it doesn’t even look like they tweaked the wordmark at all to accommodate all that four-season imagery — and the logo-as-window approach is as tired today as it was five years ago. But this is the best transition: basically playing down the change of ownership while tiptoeing around the trademark restrictions placed on NEVS and letting costumers know that they are still getting the same Saab they’ve always had. Except not.
Thanks to Johan De Geer for the tip.

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Central Patio Envisioned As a Mystic Relaxation Place in Chile

If you love the taste of summer and the long walks on the beach, this is a house for you. For the inner you, that is. Located on the shores of South Pacific Ocean (unfolding a Mediterranean windy climate), the Rock House (the latest residential project signed UN Arquitectura) is a place that enhances the spirit of freedom and makes you feel like a bird in the sky. Gorgeous and contrasting, the house opens up through a central patio, which is actually the core of the house.

There are two types of materials used in completing it: concrete and (black painted) wood, which actually serve as borderlines between spaces. The concrete structure shelters the public area, while the wooden one accommodates the bedrooms. The materials are perpendicularly displayed, for a sharper contrast. The interior is characterised by wide areas of open space (especially the ground floor). At a closer look, the kitchen seems to borrow something from the 70s psychedelic, rich in circles and circular shapes look, without being too edgy, though. The central patio is magnificent (and zen) and it keeps a revitalising atmosphere, thanks to the large amount of green plants and bushes. Really inspirational, the house is ideal for escaping from the city rush.











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Better Place takes its electric vehicle network in Israel for a silent spin
Better World has been striving for, erm, a nicer planet with its battery-swapping approach to electric vehicles since as far back as 2008. There’s been a modicum of success, with outlets and swapping stations peppered as far and wide as Denmark, California, Australia and Japan. Now, the Associated Press reports that world’s first nationwide electric car network — this time in Israel — has been given its first test. This only equates to four battery stations at the moment, with a further 40 to follow in the second half of the year. However, the firm maintains, that even with the current infrastructure, users could comfortably drive the entire length of the nation. Renault will sell a version of its Fluence EV customized to work with the battery stations for $32,000, with different mileage options on offer. Is this the future of electric motoring? We’re don’t know, but anything that’s this much quicker than overnight charging is fine by us.
Better Place takes its electric vehicle network in Israel for a silent spin originally appeared on Engadget on Mon, 21 May 2012 03:22:00 EDT. Please see our terms for use of feeds.
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Sustainable Prefab Residence with Contemporary Interiors by PLACE Houses

PLACE houses is a company you can go to, if you decided you want the flexibility and sustainable living solutions provided by a prefab home. According to Design Rulz, PH-1 is the first completed residence in its range, “an expanded PH Large with an additional accessory building featuring parking for two and office space above. Built for a busy family of five plus dogs, the stock design was adapted to create a 4 bedroom, 2 1/2 bath open plan home that’s stylish, durable, colorful and fun. Solar domestic hot water supplements household systems and entirely heats the backyard lap pool; green construction saves money and resources, and the house is always filled with natural light, fresh air, views – and friends and family“. Find the design of this prefab home appealing?










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The Dieline Awards 2011: First Place – Moonstruck Single Origin

Entrant: Sandstrom Partners
Country: USA
Category: Food C
Description: Moonstruck Chocolate is a Portland, Oregon based company known for making premium handcrafted truffles. This chocolate bar packaging line is Moonstruck’s first entry into the premium, single origin chocolate category. Our goal was to create a chocolate bar packaging line that imbues the same qualities that drive Moonstruck brand enthusiasm through its truffles: handcrafted quality, visual beauty, multi-sensory experience and imagination. The illustrations and typography are a hand-cut paper style. The finishes include: Matte Soft-Touch (color areas). Glossy Soya-kote varnish with emboss (white areas). Thick UV varnish (chocolate logo). Matte silver foil.
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The Dieline Awards 2011: First Place – Sugarillos

Entrant: mousegraphics
Country: Greece
Category: Food B
Description: Mono-dose sugar sachets, are practical but rarely does someone buy them to decorate their table or coffee/tea cup. The design objective was to create a sachet that apart from practical it also looks good. This work is a conscious attempt to literally interpret the pack content: ‘One spoonful of sugar’ – visually and verbally stated. Each sachet presents an illustration of a classical spoon (with floral or ornamental figures), straightforward and simple, the packing invites the user to a more decorative daily cupper. Translation of the text on the packaging: One spoonful of sugar.
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The Dieline Awards 2011: First Place – Steve’s Leaves

Entrant: Big Fish Design Limited
Country: United Kingdom
Category: Food A
Description: We were asked to create a brand for Britain’s finest salad growers. We found a man in the company who had a degree in watercress. His name was Steve Rothwell. He was clearly the mastermind behind their delicious, tender baby leaves so we suggested naming the brand “Steve’s Leaves”. They loved it. At the time, the salad fixture in supermarkets was one big impenetrable green hedge-like wall where everything looked the same. We seized the opportunity to stand out from the crowd and depicted Steve’s hand picking the leaves on the front with bright colours that reflected the intense flavours of these naturally delicious little leaves. We made the bags “one serve” portion size, which allowed people to mix and match varieties instead of just buying one big bag.
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A Spark in the Wrong Place

Founded in 1849 and originally named The Australian Mutual Provident Society, AMP is a 6,000-employee financial services providing banking, home loans, insurance, retirement, and investment options to over 3.8 million customers in Australia and New Zealand. In March, AMP merged with AXA Asia Pacific Holdings — previously part of French insurance giant AXA — and yesterday introduced a new logo, designed by the Sydney office of Landor to represent the new company.
The new logo is a modern, highly differentiated identity for the new AMP, representing the promise, energy and dynamism of the merged company. The time is right — we are ready for this change.
— Press Release
Brand introduction video.
AMP logo history lesson and a bit more on the new logo.

The old logo made AMP look like a financial company from the 1980s, which is exactly where those old-fashioned stripes resembling mobility were born. As we all know, financial brands have changed over the years to be overly friendly, portray accessibility, and become as much a lifestyle brand as Apple or Nike. The new logo makes AMP far perkier and more attractive than before, but it’s also a little bit ridiculous, like when a lawyer goes to a rock concert wearing the event’s black t-shirt tucked in his jeans. The icon itself is sort of interesting, with a bold and energetic graffiti-style execution but it’s just tagging the wrong wall. Making abstract sparks into convincing corporate identities is a hard trick to pull off and I’m not convinced Landor or AMP succeed in this case. The typography is decent and at least it’s not another sans serif. Perhaps the best thing about the whole identity is the over-the-top-visual-effects brand video introduction which gives some creative credibility and foundation to the spark, but brand videos don’t generally make it to customers, so it still needs to be seen if that energy can be translated into boring things like superannuation brochures.
Thanks to Andrew Farrugia for first tip.

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Small Place of Meditation: Santa Ana’s Chapel in Portugal

Located at the intersection between five streets, the site was the main factor that influenced the architects’ decision when developing the plans for Santa Ana’s Chapel, located in Portugal and designed by e|348 arquitectura: “In the beginning of the year 2009 we were commissioned the Project of a Chapel honoring Santa Ana, in a small, triangular piece of land, in Sousanil, Portugal. The amphitheater shape of the site, allows exterior mass celebration where everyone has optimal visibility conditions, promoting their participation in the ceremonies. This circumstance was the leading key for the entire project. The building to develop would materialize the edification of the bottom edge of this spontaneous sanctuary, improving the conditions for celebration along with the creation of a singular building capable of housing Santa Ana’s devotion.” (Photographs: FG+SG – Fernando Guerra)



















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ComScore: Android leapfrogs BlackBerry among US smartphone subscribers to take first place in market share
Last time we checked in with ComScore’s report on smartphone platform market share among US subscribers three months ago, Android was doing a little happy dance as it overtook iOS for the number two spot overall. Well, the cuddly green bots have self-replicated yet once again, enough to overtake RIM this time thanks in part to a 5.4 percent decline on BlackBerry’s part (down to 30.4 percent in January) coupled with a 7.7 percent boost on the Android side, moving up to 31.2 percent. We imagine ComScore’s next report — covering the period through March — will see a little boost on the iOS side thanks to Verizon’s iPhone launch, but RIM’s knight in shining armor might be further out; we still don’t know when QNX-based phones are going to happen, after all, and devices like the Monaco don’t really seem like cure-alls.
ComScore: Android leapfrogs BlackBerry among US smartphone subscribers to take first place in market share originally appeared on Engadget on Mon, 07 Mar 2011 16:24:00 EDT. Please see our terms for use of feeds.
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